Bradley's Foundation Portfolio 2009-2010.

Showing posts with label Sound. Show all posts

Tuesday, 4 May 2010

Discuss the ways in which the extract constructs the representation of gender.

04052010; Doctor Who

Discuss the Ways in Which the Extract Constructs the Representation of Gender

Posted by Bradley Cooke-Catcheside at 15:10 No comments:

Labels: Camera Angles, Editing Techniques, Mise-En-Scene, Sound, Television Drama

Friday, 30 April 2010

Monarch of the Glen.

30042010; Monarch of the Glen

Posted by Bradley Cooke-Catcheside at 15:10 No comments:

Labels: Camera Angles, Editing Techniques, Mise-En-Scene, Sound, Television Drama

Friday, 23 April 2010

Discuss the ways in which the extract constructs the representation of ability and disability.

23042010; After Thomas

Discuss the Ways in Which the Extract Constructs the Representation of Ability and Disability

Posted by Bradley Cooke-Catcheside at 09:55 No comments:

Labels: Camera Angles, Editing Techniques, Mise-En-Scene, Sound, Television Drama

Tuesday, 13 April 2010

Skins.

13042010; Skins

Posted by Bradley Cooke-Catcheside at 15:10 No comments:

Labels: Camera Angles, Editing Techniques, Mise-En-Scene, Sound, Television Drama

Tuesday, 16 March 2010

Micro Elements.

16032010; Micro Elements

Posted by Bradley Cooke-Catcheside at 15:10 No comments:

Labels: Camera Angles, Editing Techniques, Micro Elements, Mise-En-Scene, Sound, Television Drama

How are the micro elements used within the opening sequence of Casino Royale?

16032010; How Are the Micro Elements Used Within the Opening Sequence of Casino Royale

Posted by Bradley Cooke-Catcheside at 15:10 No comments:

Labels: Camera Angles, Casino Royale, Editing Techniques, Micro Elements, Mise-En-Scene, Sound

Friday, 9 October 2009

Analysing Bridget Jones's Diary.

Analysing Bridget Jones's Diary

Posted by Bradley Cooke-Catcheside at 11:35 No comments:

Labels: Audience and Institution, Barthes's Codes, Bridget Jones, Mise-En-Scene, Narrative Roles, Sound, Television Drama, Theory Lesson

Tuesday, 6 October 2009

The Royal Tenebaums.

06102009; The Royal Tenebaums

Posted by Bradley Cooke-Catcheside at 13:10 No comments:

Labels: Audience and Institution, Barthes's Codes, Character Roles, Formal Features, Mise-En-Scene, Sound, Target Audience, The Royal Tenebaums

Friday, 18 September 2009

Opening Sequence of The Wire.

18092009; Opening Sequence of the Wire

Posted by Bradley Cooke-Catcheside at 11:35 No comments:

Labels: Audience and Institution, Formal Features, Mise-En-Scene, Sound

Older Posts Home

Target Market Playlist.

Music Playlist at MixPod.com

12C Blogs.

Baker, Rebecca.
Boucher, Wesley.
Dimelow, Emma.
Fojut, Thomas.
Griffiths, Robert.
Haynes, Marianne.
Irons, Joshua.
Kemp, Jack.
Maddison, Samuel.
Miller, Daniel.
Powis, Neil.
Rimmer, Luke.
Robinson, Catherine.
Singh, Kamaldeep.
Smith, Louise.
Summerton, Benjamin.
Sutton, Katie.
Webster, Jamie.

Peer Blogs.

Andrews, Timothy.
Bramford, Mark.
Farnell, Alexandra.
Farnell, Alexandra//Howard, Reece.
Green, Beau.
Howard, Reece.
Johnson, Oliver.
Rowell, Andrew.
Skidmore, Hannah.
Stilgoe, Abigail.

Teacher Blogs.

Elger, K.
Ford, N.
Frearson, R.
Hammond, A.
Smith, M.
Sutton, V

Blog Labels.

Ability and Disability (1)
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Representation (3)
Research and Planning (25)
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Robert Downey Jr (2)
Screen International (1)
Semiology (1)
Sexuality (1)
Shane Meadows (1)
Sound (9)
Stereotypes (1)
Symbol (1)
Target Audience (5)
Target Market (1)
Target Market Questionnaire (1)
Teacher Feedback (3)
Teacher Resources (1)
Television Drama (27)
Tent-Pole Films (1)
Terminology (3)
Tessa Perkins (1)
The Gaze (1)
The Royal Tenebaums (1)
The Soloist (4)
The Wire (3)
Theory Lesson (19)
This Is England (1)
Tim Bevan (1)
To-Do Lists (2)
Trevor Millum (1)
Tzvetan Todorov (1)
Uses and Gratification (1)
Vladimer Propp (1)
Warped Film (2)
Working Title (2)

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